Warm, airy and grounded
Following feedback on the initial directions, the palette moved towards warmer red-orange tones. Terracotta, cream, sand, oak and espresso give the Active Social Club concept a more grounded atmosphere.
A place to ride, refuel and reconnect.
I’m developing a creative direction for CHAIN: a café with its own identity, rooted in cycling culture and connected to the existing Yas Cycles shop and workshop.
This is a look inside the process, from the site visit and five creative directions to the warmer palette, logo studies, furniture research and the takeaway packaging now ready for print.
Project snapshot · · New: packaging ↓
The brief is for a café rooted in cycling culture, with its own identity alongside the existing bike shop and workshop. CHAIN should feel welcoming to riders, gym members and neighbours dropping in for a coffee.
A site visit helped ground the concept in the real space: an existing bike shop, a workshop at the back and an area intended for the café and indoor seating. An outdoor seating area is also being explored.
A light, relaxed atmosphere with cycling at its heart.
Following feedback on the initial directions, the palette moved towards warmer red-orange tones. Terracotta, cream, sand, oak and espresso give the Active Social Club concept a more grounded atmosphere.
The café concept gives people a place to meet after a ride, pause after a workout or simply spend time together over coffee.
Furniture and finishes need to suit an active setting. Durable, easy-to-clean seating and clear circulation are guiding the next design studies.
Five creative directions opened the conversation. Active Social Club became the preferred territory; colour studies then helped narrow the atmosphere towards Terracotta.
Logo explorations investigate the chainring as a recognisable cycling reference, with attention to legibility on small formats such as profiles, stickers and cups. They remain proposals for review.
Furniture research brings the visual direction back to practical use: easy-to-clean materials, comfortable seating and circulation that works alongside the shop and workshop. Final layouts depend on confirmed dimensions.
How I approach a project ↗Eight studies inspired by cycling components and the idea of connection.
These early vector studies were developed from AI-assisted concept explorations and are under review. The final selection and geometry are still being refined.
With the opening approaching, the takeaway packaging became the first place where CHAIN meets its customers. I designed the set — 12 oz and 4 oz hot cups, a clear cold cup, a kraft bag and round stickers — around the existing CHAIN wordmark and the Yas Cycles logo.
The challenge was to give the café its own presence while making it clear, on every coffee leaving the counter, that CHAIN belongs to Yas Cycles.
Option 1 kept the supplier’s existing cup and only changed its orange to the café’s terracotta: the fastest route, with no new artwork.
Option 2 went further: a cream and espresso set carrying a “CHAIN by Yas Cycles” lockup and a “Ride · Coffee · People” band, repeated across cups, serviettes and bags.
The final set keeps the system of Option 2 — the lockup and the band — in Yas Cycles orange and black, so the café connects directly with the colours customers already know from the shop.
Each piece was prepared as a print file on the supplier’s own dielines: 4 oz and 12 oz cup wraps, a 16 oz clear cold cup printed in white ink, a 24 × 28 × 10 cm kraft bag in two spot colours, and two 50 mm round stickers.
Proofs show the cut line and safe area so every element can be checked before production.